Literature

A LOVE STORY FOR THE AGES . . Joseph Mary Plunkett and The Gifford Girl - 100 pages - EBOOK - PDF

A hero and a soldier, too, they buried him in lime.

Upon his wedding-morn they slew, a lover in his prime.

Into a burning ditch they threw, a poet and his rhyme.

The almost unbearable beauty of the love story of Joseph and Grace which encompasses not only their own love for each other, but also their love of God and of Ireland, has fascinated me for many years. The story of that love is told most succinctly and beautifully in the poem by Father Feeney at the beginning of this book. But there is much more to the story than that. Plunge yourself into the beauty and mysticism of the poems of Joseph Plunkett, the Military Commander of the Easter Rising and youngest signatory of the Proclamation of the Irish Republic who stood with Pearse, McDonagh, and Connolly as they cast their fates upon the cause of freedom for Ireland. A famous priest once said that other than those committed to the life of religion, the two types of persons most likely to save their souls were poets and soldiers. Joseph Mary Plunkett was both.

25 Essays Selected by John Edward Dineen - PB 320 pages - EBOOK - PDF

Joseph Hilaire Pierre René Belloc, 1870-1953, was born in France of a French Catholic Father and an English protestant mother. His mother later converted under the influence of Cardinal Manning, a good friend and mentor of Hilaire. His only sister, Marie (Belloc) Lowndes, was a fairly well-known writer like her brother Hilaire. Belloc’s father died young, leaving his widow in dire financial straits with two young children to support. They moved to England, and they settled in Slindon, West Sussex, where Belloc lived for most of his life.
Belloc was a prolific writer and seldom was employed in any other remunerative endeavor during his life, hence the constancy of his precarious financial condition. However he was rarely, if ever, destitute, since he was one of the most widely read writers of the 20th century in both England and America. On this side of the Atlantic he is best known for his political, economic, and historical works. As an essayist he is less well-known, but some think that it is as a poet and essayist that his name will be longest remembered.
These twenty-five exquisite essays, selected by John Edward Dineen, were first published as a collection in 1936 and are here offered to a new generation of American readers to savor.

Father Leonard Feeney - EBOOK - PDF, Kindle, & EPUB

Hardcover $34.95    PB $19.95

This collection  of poems and other literary works of Father Feeney is not a complete collection, but a large one nonetheless. It includes almost all of four of his best books: Survival Till Seventeen, Fish on Friday, In Towns and Little Towns, and You’d Better Come Quietly, as well as some of his other works. You will rarely encounter another modern Catholic poet and writer with such depth of faith and dramatic power with words as Father Leonard Feeney. Frank Sheed, of Sheed & Ward, his original publisher and a well-known Catholic writer himself, once labeled him “America’s Chesterton”. Coming from a Catholic Englishman, that is a grand compliment indeed for an American Irishman!

380 pages - EBOOK - PDF, Kindle, & EPUB

Matthew Abraham Ryan (he changed his name to Abram because the name Abraham became distasteful to him when Lincoln declared war on his nation, the CSA), was born in Norfolk Virginia of an Irish Catholic family from County Limerick and is known not only as a mystic poet of the Catholic religion but also as the Poet Laureate of the Confederacy. He was the most popular and most quoted and recited poet of his generation in the South and in the North. This is an exact reprinting of the 12^th edition of his complete collected works that was issued at Baltimore in 1888.

Father Ryan worked as a chaplain to the troops of his nation during the long and brutal war that killed all of the hopes for freedom and nationhood among his people who rose so manfully to battle to defend their homeland in 1861. In the hour of defeat Fr. Ryan won the heart of the entire South by his poem Conquered Banner, whose exquisite measure was taken, as he told a friend, from one of the Gregorian hymns.

Beyond and above and permeating his deep and abiding love for the South was his love for our Lord and our Blessed Lady that is so powerfully expressed in his poetry and verse. His was the heart of a lover and a mystic, one who knows life and reality so well that anyone could say that he truly understood what Saint Augustine meant when he said that our hearts are restless until they rest in Thee O Lord! Take up this precious work of his and prepare to be truly moved in your heart and soul with the beauty and depth of these emanations of his beautiful Catholic soul.

From Fr. Ryan’s Sursum Corda:

Lonely hearts! lonely hearts! this is but a land of grief;

Ye are pining for repose—ye are longing for relief:

What the world hath never given, kneel and ask of God above,

And your grief shall turn to gladness, if you lean upon His love.

Lonely hearts! God is Love.

 Publishers’ Preface to the Second Edition.

For years the name of Father Ryan has been a household word. It is known wherever the English language is spoken, and everywhere it is reverenced as the appellation of a true child of song. It is especially dear to the people of the South, among whom he who bears it has lived and worked and touched his tuneful harp. These, his poems, have moved multitudes. They have thrilled the soldier on the eve of battle, and quickened the martial impulses of a chivalric race; they have soothed the soul-wounds of the suffering; and they have raised the hearts of men in adoration and benediction to the great Father of all.

When the announcement was first made that they were to be gathered together into a volume, the news was heard as glad tidings by the friends of the poet-priest, and the book had hardly appeared when the edition was exhausted. The ablest critics were generous in their praise of it, and predicted that it would be for its author a monument more enduring than brass.

Publishers’ Preface to the Twelfth Edition.

The publication of the poems of Father Ryan has reached the twelfth edition. To the Memoir, which found place in the eleventh edition, are now added many beautiful songs, some of which have not heretofore been published; and also many new illustrations.So popular have the writings of the poet-priest become, that many songs and ballads have been printed as emanations of his pen for which he was not responsible.

This edition is printed from new electrotype plates, and is greatly improved in style over all former editions. It includes all the poems written by Father Ryan which, if living, he would offer to the public. His death in 1880 stilled the sweetest voice that ever was raised in behalf of the faith and clime he loved so well.

The words, spoken or written, of a soul that genuinely loves God have a tone to them which always rings true. Couple this truth with literary genius, deep spiritual discernment and childlike simplicity and you are close to describing Father Leonard Feeney, the author of Fish on Friday. These fourteen Catholic essays, Father Feeney’s youthful best, mirror a heart that is as light and humorous as it is religiously profound. Loreto Publications is delighted and proud to put this American Catholic classic back in print. Too many generations have been deprived of Father Feeney’s winsome literary sagacity when his poems and essays were mysteriously removed from Catholic schools on account of his heroic defense of a defined doctrine of the faith. No one can possibly read "Fish on Friday," The Queen of Hearts," "Charlie Maloney," or any of the other eleven essays in this book without frequent bursts of wholesome laughter and (be forewarned) without a welling of those kind of tears that expand the soul. After reading this book one will clearly see that our Lord and 0ur Lady were preparing this priest and theologian all along with superabundant graces to become what he became — one of the greatest apostles of the twentieth century. In the February 17, 1994 issue of Catholic New York, John Cardinal O’ Connor began "An Informal Pastoral on Lent" with this paragraph:

"Long before he ran into a bit of trouble, from which it was obvious that he would recover, given his whimsical sense of humor, Fr. Leonard Feeney, S.J., wrote some of the most delightful things ever published in our land. Fish on Friday was one of the best. It first appeared 60 years ago, and never a Lent goes by without my renewing my friendship with it . . ."

Br. Charles Madden OFM, Conv. 112 pages PB

56 years of marriage and 11 children. The Maddens of Baltimore will surprise you, comfort you, make you laugh until you cry, and make you cry until you laugh again! From games of “pitch” to petty thievery, from over-zealous confessions to exacerbating obedience, there is truly never a dull moment!

But these true stories about a real family, as told by the youngest brother, are much more than just a collection of humor. Together, they weave a tapestry about family life—the way it should be lived and enjoyed. The virtues and the vices, the laughter and the frustration, the  happiness and the mourning, the prosperity and the poverty: the family is the first school of love.

Experience this with the Maddens of Baltimore.
Bring them home with you today!

Brother Charles Madden was born in Baltimore, MD in January 1940, the youngest of eleven children. He is the author of Freemasonry: Mankind’s Hidden Enemy and The Ballad and the Message.

25 Essays by Robert D. Hickson - HC - 640 pages

Archbishop Vigano's Preface

Memory is a fundamental element of a people’s identity, civilization and
culture: a society without memory, whose patrimony consists solely of a
present without a past, is condemned to have no future. It is alarming that
this loss of collective memory affects not only Christian nations, but also
seriously afflicts the Catholic Church herself and, consequently, Catholics.
This amnesia affects all social classes and is not the result of chance, but of
systematic work on the part of those who, as enemies of the True, Good
and Beautiful, must erase any ray of these divine attributes from even the
most marginal aspects of social life, from our idioms, from memories of
our childhood and from the stories of our grandparents. The Orwellian
action of artificially remodeling the past has become commonplace in the
contemporary world, to the point that a class of high school students
are unable to recognize an altarpiece depicting a scene from the life of
Christ or a bas-relief with one of the most revered saints of the past. Dr.
Robert Hickson calls this inability “deficiency of dogmatic understanding”,
“Catholic illiteracy of pestilential proportions”.
Tabula rasa: millions of souls who only twenty or thirty years ago would
have immediately identified the Baptism of the Lord in the Jordan or
Saint Jerome or Saint Mary Magdalene are capable of seeing only two men
along a river, an old man with a lion and a woman with a vase. Reading
the pages of Dante, Manzoni or one of the great Christian writers of the
past, many Catholics can no longer grasp the moral and transcendent
sense of a culture that is no longer their common heritage, a jealously
guarded legacy, the deep root of a robust plant full of fruit.
In its place we have a bundle of the confused rubbish of the myths of the
Revolution, the dusty Masonic ideological repertoire, and the iconography
of a supposed freedom won by the guillotine, along with the persecution
of the Church, the martyrdom of Catholics in Mexico and Spain, the
end of the tyranny of Kings and Popes and the triumph of bankers and
viii Gratitude, Contemplation, and the Worth of Catholic Literature
usurers. A lineage of kings, saints, and heroes is ignored by its heirs, who
stoop to boasting about their ancestors who were criminals, usurpers,
and seditious traitors: never has falsification reached the point of such
incomprehensible perversion, and it is evident that the desire to artificially
create such ancestry is the necessary premise for the barbarization of the
offspring, which is now practically accomplished.
We must also recognize that this removal has found significant
encouragement also among those who, within the Catholic Church,
have erased two thousand years of the inestimable patrimony of faith,
spirituality and art, beginning with a wretched sense of inferiority instilled
in the faithful even by the Hierarchy since Vatican II. The ancient apostolic
liturgy, on which centuries of poetic compositions, mosaics, frescoes,
paintings, sculptures, chiseled vases, illuminated chorales, embroidered
vestments, plainchants and polyphony have been shaped, has been
proscribed. In its place we now have a squalid rite without roots, born
from the pen of conspirators dipped in the inkwell of Protestantism; music
that is no longer sacred but profane; tasteless liturgical vestments and
sacred vessels made of common material. And as a grey counterpoint to
the hymns of St. Ambrose and St. Thomas, we now have poor paraphrases
without metrics and without soul, grotesque paintings and disturbing
sculptures. The removal of the admirable writings of the Fathers of the
Church, the works of the mystics, the erudite dissertations of theologians
and philosophers and, in the final analysis, of Sacred Scripture itself –
whose divine inspiration is sometimes denied, sacrilegiously affirming
that it is merely of human origin – have all constituted necessary steps
of being able to boast of the credit of worldly novelties, which before
those monuments of human ingenuity enlightened by Grace appear as
miserable forgeries.
This absence of beauty is the necessary counterpart to an absence of
holiness, for where the Lord of all things is forgotten and banished, not
even the appearance of Beauty survives. It is not only Beauty that has
been banished: Catholic Truth has been banished along with it, in all its
crystalline splendor, in all its dazzling consistency, in all its irrepressible
capacity to permeate every sphere of civilized living. Because the Truth
is eternal, immutable and divisive: it existed yesterday, it exists today
and it will exist tomorrow, as eternal and immutable and divisive as the
Word of God.
Certainly, behind this induced amnesia, there is a Trinitarian heresy. And
where the Deceiver lurks, the eternal Truth of God must be obscured in
order to make room for the lie, the betrayal of reality, the denial of the past.
In a forgery that is truly criminal forgery, even the very custodians of the
depositum fidei ask forgiveness from the world for sins never committed by
our fathers – in the name of God, Religion or the Fatherland – supporting
the widest and most articulated historical forgery carried out by the
enemies of God. And this betrays not only the ignorance of History which
is already culpable, but also culpable bad faith and the malicious will to
deceive the simple ones.
Rediscovering memory, even in literature, is a meritorious and necessary
work for the restoration of Christianity, a restoration that is needed
today more than ever if we want to entrust to our children a legacy to be
preserved and handed down as a tangible sign of God’s intervention in
the history of the human race: how much Providence has accomplished
over the centuries – and that art has immortalized by depicting miracles,
the victories of the Christians over the Turk, sovereigns kneeling at the
feet of the Virgin, patron saints of famous universities and prosperous
corporations – can be renewed today and especially tomorrow, only if we
can rediscover our past and understand it in the light of the mystery of
the Redemption.
This book proposes the noble purpose of restoring Catholic memory,
bringing it back to its ancient splendor, that is, the substance of a
harmonious and organic past that has grown and still lives today, just as
the hereditary traits of a child are found developed in the adult man, or
as the vital principle of the seed is found in the sap of the tree and in the
pulp of the fruit. Robert Hickson rightly shows us, in the restoration of
memory, the way to rediscover the shared faith that shapes the traits of a
shared Catholic culture.
In this sense it is significant – I would say extremely appropriate, even if
only by analogy – to have also included Christian literature among the
Sacramentals, applying to it the same action as that of blessed water, the
glow of the candles, the ringing of bells, the liturgical chant: the invocation
of the Virgin in the thirty-third canto of Dante’s Paradiso, the dialogue
of Cardinal Borromeo with the Innominato, and a passage by Chesterton
all make Catholic truths present in our minds and, in some way, they
realize what they mean and can influence the spiritual life, expanding
and completing it. Because of this mystery of God’s unfathomable mercy
we are touched in our souls, moved to tears, inspired by Good, spurred
to conversion. But this is also what happens when we contemplate an
altarpiece or listen to a composition of sacred music, in which a ray of
divine perfection bursts into the greyness of everyday life and shows us the
splendor of the Kingdom that awaits us.
The author writes: “We are called to the commitment to recover the life and
full memory of the Body of Christ, even if in our eyes we cannot do much to
rebuild that Body”. But the Lord does not ask us to perform miracles: He
invites us to make them possible, to create the conditions in our souls and
in our social bodies so that the wonders of divine omnipotence may be
manifested. To open ourselves to the past, to the memory of God’s great
actions in history, is an essential condition for making it possible for us to
become aware of our identity and our destiny today so that we may restore
the Kingdom of Christ tomorrow.
+ Carlo Maria Viganò
Titular Archbishop of Ulpiana
Apostolic Nuncio
28 August 2020
Saint Augustine
Bishop, Confessor, and Doctor of the Church

by Father Leonard Feeney, S.J.

To My Mother, from her 'Minstrel Boy'.

So, you do not like poetry. Too many flowers and angels and stars and clouds. And too many adjectives ending in “Y”. Besides, the better the poem the less you can understand it, right? You are an ordinary Joe who prefers more solid food for his mind and you do not really care if the words rhyme anyway. Well, Joe, lighten up! Let your mind get a taste of Father Feeney’s verse. Your whole family will enjoy the new turf. It will warm the heart. In fact, every one of Father’s poems comes with that guarantee.

Night Noises

Angela died today and went to Heaven;
We counted her summers up and they were seven.
But why does that trouble you, unloosened shutter,
That flap at my window in the wind's wild flutter!

Angela's eyes tonight are cold and dim,
Off in the land of song and Seraphim.
But what does that mean to you, O creaking stair,
And mice in the wall that gnaw the plaster there!

Angela's little hands are folded white,
Deep in the meadow, under the starry night.
But why should an ugly gnat keep finely whining
Around the candle-flame beside me shining!

And never again — and never again will she
Come running across the field to welcome me.
But, little sheep-bells, out on the distant hill,
Why, at this hour, do you wake and tinkle still!

And not any more—alas!— and not any more,
Will she climb the stairs and knock at my lonely door.
But, moaning owl in the hayloft overhead,
How did you come to know that she was dead!

Chesterton's visit to Ireland in early 1918 resulted in this unique, readable, and thought-provoking book on Ireland and the Irish situation of the early 20th-century from one of England's greatest essayists. In Irish Impressions, familiar Chestertonian themes — distribution of property, industrialism, the Faith and Christian society — are discussed in the context of Ireland's struggle for national and cultural independence from the Britain of the early 1900s. Not mincing words, Chesterton points out both the strengths and weakness of the English and Irish positions during that crucial period, always with wit and wisdom — and an appreciation of religious, cultural, and economic essentials, which is characteristic of Chesterton's work. Originally published: London, 1919.

IHS Press is extremely pleased to be able to offer with this newly edited, extensively footnoted edition, a new Preface by Dr. Dermot Quinn.

Dr. Quinn is an Associate Professor of History at Seton Hall University, and an intimate friend and colleague of Fr. Ian Boyd of Seton Hall's Chesterton Institute. Quinn received his doctorate from Oxford University, is author of Patronage and Piety: The Politics of English Roman Catholicis, 1850 — 1900 (Stanford University Press, 1993), and is a frequent contributor to The Chesterton Review.

Here are stories of princes and gypsies, bishops and bears, tales of Catholic boys and girls that remind us that especially in young souls the faith is quite strong, and evil is never a match for goodness. Among others , you'll meet: Bernard, the boy who walks three miles to school and meets Christ on his way; Nickie, the young prince who learns from a dancing bear a strong lesson in love; Tommy, who uses kindness and two minnows to heal a bishop and save a school; Osbert and Rupert, gypsy twins wo make a donkey of themselves to bring peace to the world; Joey, the stable boy whose coat is transformed when his donkey bears Jesus to Jerusalem; Kathleen, who goes withut candy and brings a shopkeeper back to the Faith and many more . . . Soviet cows, Marian icons, pet mice, Easter roosters, Noah and the ark, fish, donkeys, and even a dinosaur: they're all here in a dozen charming tales of children living their faith while having great Catholic fun!

A LOVE STORY FOR THE AGES . . Joseph Mary Plunkett and The Gifford Girl - Small Book 100 pages

A hero and a soldier, too, they buried him in lime.

Upon his wedding-morn they slew, a lover in his prime.

Into a burning ditch they threw, a poet and his rhyme.

The almost unbearable beauty of the love story of Joseph and Grace which encompasses not only their own love for each other, but also their love of God and of Ireland, has fascinated me for many years. The story of that love is told most succinctly and beautifully in the poem by Father Feeney at the beginning of this book. But there is much more to the story than that. Plunge yourself into the beauty and mysticism of the poems of Joseph Plunkett, the Military Commander of the Easter Rising and youngest signatory of the Proclamation of the Irish Republic who stood with Pearse, McDonagh, and Connolly as they cast their fates upon the cause of freedom for Ireland. A famous priest once said that other than those committed to the life of religion, the two types of persons most likely to save their souls were poets and soldiers. Joseph Mary Plunkett was both.

25 Essays Selected by John Edward Dineen - PB 320 pages

Joseph Hilaire Pierre René Belloc, 1870-1953, was born in France of a French Catholic Father and an English protestant mother. His mother later converted under the influence of Cardinal Manning, a good friend and mentor of Hilaire. His only sister, Marie (Belloc) Lowndes, was a fairly well-known writer like her brother Hilaire. Belloc’s father died young, leaving his widow in dire financial straits with two young children to support. They moved to England, and they settled in Slindon, West Sussex, where Belloc lived for most of his life.
Belloc was a prolific writer and seldom was employed in any other remunerative endeavor during his life, hence the constancy of his precarious financial condition. However he was rarely, if ever, destitute, since he was one of the most widely read writers of the 20th century in both England and America. On this side of the Atlantic he is best known for his political, economic, and historical works. As an essayist he is less well-known, but some think that it is as a poet and essayist that his name will be longest remembered.
These twenty-five exquisite essays, selected by John Edward Dineen, were first published as a collection in 1936 and are here offered to a new generation of American readers to savor.

The Gauntlet, subtitled "A Challenge to the Myth of Progress," includes selections from Old Worlds for New (1917), Post-Industrialism (1922), Towards a Christian Sociology (1923), and Means and Ends(1932). This first-ever anthology of Penty’s works presents a compelling vision both of what’s wrong with the world and of what kind of socio-economic order would help to make it right. The writings in this volume provide a sampling of Penty’s thorough and persuasive critique of the myths that dominate modern economic and social thought. They also outline his intellectual and practical program for the restoration of such essentials in economic life as the dignity of labor, justice in pricing, equity in property distribution, quality in craftsmanship, preservation of rural culture, and, above all, the recognition of spiritual Truth as the foundation of all real economic order

IHS Press is pleased to present an Introduction to this anthology by Dr. Peter Chojnowski.

Dr. Chojnowski has degrees in Political Science and Philosophy from Christendom College, and a Masters degree and Doctorate in Philosophy from Fordham University. He specializes in the philosophy of St. Thomas and Catholic Social Thought. He currently teaches at Immaculate Conception Academy in Post Falls, Idaho, where he lives with his wife and five children.

Father Leonard Feeney

Hardcover $34.95    PB $19.95

This collection  of poems and other literary works of Father Feeney is not a complete collection, but a large one nonetheless. It includes almost all of four of his best books: Survival Till Seventeen, Fish on Friday, In Towns and Little Towns, and You’d Better Come Quietly, as well as some of his other works. You will rarely encounter another modern Catholic poet and writer with such depth of faith and dramatic power with words as Father Leonard Feeney. Frank Sheed, of Sheed & Ward, his original publisher and a well-known Catholic writer himself, once labeled him “America’s Chesterton”. Coming from a Catholic Englishman, that is a grand compliment indeed for an American Irishman!

Father Leonard Feeney

Hardcover $34.95    PB $19.95

This collection  of poems and other literary works of Father Feeney is not a complete collection, but a large one nonetheless. It includes almost all of four of his best books: Survival Till Seventeen, Fish on Friday, In Towns and Little Towns, and You’d Better Come Quietly, as well as some of his other works. You will rarely encounter another modern Catholic poet and writer with such depth of faith and dramatic power with words as Father Leonard Feeney. Frank Sheed, of Sheed & Ward, his original publisher and a well-known Catholic writer himself, once labeled him “America’s Chesterton”. Coming from a Catholic Englishman, that is a grand compliment indeed for an American Irishman!

Paperpack -380 pages

Matthew Abraham Ryan (he changed his name to Abram because the name Abraham became distasteful to him when Lincoln declared war on his nation, the CSA), was born in Norfolk Virginia of an Irish Catholic family from County Limerick and is known not only as a mystic poet of the Catholic religion but also as the Poet Laureate of the Confederacy. He was the most popular and most quoted and recited poet of his generation in the South and in the North. This is an exact reprinting of the 12^th edition of his complete collected works that was issued at Baltimore in 1888.

Father Ryan worked as a chaplain to the troops of his nation during the long and brutal war that killed all of the hopes for freedom and nationhood among his people who rose so manfully to battle to defend their homeland in 1861. In the hour of defeat Fr. Ryan won the heart of the entire South by his poem Conquered Banner, whose exquisite measure was taken, as he told a friend, from one of the Gregorian hymns.

Beyond and above and permeating his deep and abiding love for the South was his love for our Lord and our Blessed Lady that is so powerfully expressed in his poetry and verse. His was the heart of a lover and a mystic, one who knows life and reality so well that anyone could say that he truly understood what Saint Augustine meant when he said that our hearts are restless until they rest in Thee O Lord! Take up this precious work of his and prepare to be truly moved in your heart and soul with the beauty and depth of these emanations of his beautiful Catholic soul.

From Fr. Ryan’s Sursum Corda:

Lonely hearts! lonely hearts! this is but a land of grief;

Ye are pining for repose—ye are longing for relief:

What the world hath never given, kneel and ask of God above,

And your grief shall turn to gladness, if you lean upon His love.

Lonely hearts! God is Love.

 Publishers’ Preface to the Second Edition.

For years the name of Father Ryan has been a household word. It is known wherever the English language is spoken, and everywhere it is reverenced as the appellation of a true child of song. It is especially dear to the people of the South, among whom he who bears it has lived and worked and touched his tuneful harp. These, his poems, have moved multitudes. They have thrilled the soldier on the eve of battle, and quickened the martial impulses of a chivalric race; they have soothed the soul-wounds of the suffering; and they have raised the hearts of men in adoration and benediction to the great Father of all.

When the announcement was first made that they were to be gathered together into a volume, the news was heard as glad tidings by the friends of the poet-priest, and the book had hardly appeared when the edition was exhausted. The ablest critics were generous in their praise of it, and predicted that it would be for its author a monument more enduring than brass.

Publishers’ Preface to the Twelfth Edition.

The publication of the poems of Father Ryan has reached the twelfth edition. To the Memoir, which found place in the eleventh edition, are now added many beautiful songs, some of which have not heretofore been published; and also many new illustrations.So popular have the writings of the poet-priest become, that many songs and ballads have been printed as emanations of his pen for which he was not responsible.

This edition is printed from new electrotype plates, and is greatly improved in style over all former editions. It includes all the poems written by Father Ryan which, if living, he would offer to the public. His death in 1880 stilled the sweetest voice that ever was raised in behalf of the faith and clime he loved so well.

Twelve Types is a collection of short biographical essays, by one of 20th-century England's greatest essayists. In keeping with the spirit of IHS Press, that there is a Catholic way to look at everything, this book evaluates the place of such figures as Tolstoy, St. Francis, Savonarola, William Morris, and others, in the history of the West and from an unabashedly Catholic perspective. With typical wit and flair, Chesterton accomplishes what modern biography most often fails to do: discuss the important and central elements of the characters it presumes to examine, while omitting tedious discussion on matters of little import. Chesterton looks at the souls, the characters, and the lives of some of the West's most important figures, providing modern readers with a sane and Catholic orientation to their approach to these great individuals. Originally published: London, 1905.

IHS Press is pleased to present a new Preface to this edition by Dr. Malcolm Brennan. Malcolm Brennan is Professor Emeritus of English Literature at the Citadel, South Carolina, and is the author of numerous works, including a collection of essays on the history of the English martyrs. The social doctrine isn't just about economics. Make this slim volume part of your Catholic cultural library today!

Also Available as Ebook

Gary Potter - PB - 96 Pages

One of the comments made about Our Lord by his contemporaries was that “He spoke as one having authority.” In the modern world, the Church seems to rarely speak as one “having authority”. This is unfortunate; some might say scandalous, for it is authority that men seek when pursuing truth. Young people are inundated with the message that truth, as an objective reality, does not exist . . . except for you alone. “Well, that’s your opinion!”, or “Make your own truth.”, or even Pilate’s own phrase “What is truth?”, are all too common phrases one hears nearly everywhere today. Even the term “faith” is now one of opprobrium instead of a declaration of virtue. One thing that does still speak with authority however, especially to the young, is example. In this powerful modern novella, one young man considers faith and whether it has any meaning at all to a man who wishes to truly live or whether faith is merely something one grasps onto when no clear answers to the deep questions of life are to be found elsewhere.